Audio Origami PU7 Tonearm

1276

New product

3 390,00 €

This article it's not in stock but can be ordered and it will take a number of days indicated into the Blue tab below, to be shipped to you. Please verify the availability for immediate shipping of other eventual versions of the same product.

 
Description

Audio Origami PU7 Tonearm - One of the most ‘musical’ Tonearms available. 1ST PLACE WINNER IN THE HI-FI WORLD 2007 AWARDS!!. Standard PU7- MATT FINISH 9" Linn/Rega or Palmer2.5 mount, Silver BEAD BLASTED Anodised ( satin silver) finish Direct wired with cardas internal and super ofc external cable.


• These arms are hand made to exactly your spec!!
• The pu7 arm is available in any colour or length and it has a linn or rega base fitting.
• The arm tube is foam damped.
• Adjustable height and azimuth.
• The effective mass can be tuned to your selection of cartridges approx. 11-20 grams.
• The arm lengths can be 9 or 12inch depending on what you want.
• The 4 ball races are extremely high quality units.
• There are 2 types of bell housing and arm tubes available, brass or alloy.
• It takes me about 1 month to make 1 arm from scratch.
• I'm sure my old friends at Syrinx would be proud!

The Audio Origami PU7 arm is available in any colour or length (between 229mm and 305mm) and is available with either a Linn or Rega base fitting. The PU7 is basically a Syrinx PU3 with all the mods, except that the deluxe models also come with a damper trough at the arm cue. The arm tube is foam damped and both arm height and azimuth are adjustable.

All arms are custom built to order, entirely by hand. Each arm takes around one month to make. ‘The PU7 is one of the most technically-advanced pick-up arms in the world. It is also, arguably, because of its many advanced features, the most ‘musical’ pick-up arm currently available.’

The standard finish is a high quality matt bead blasted silver, with Polished, custom colour anodising and gold or chrome plating all available as options. The standard model has Cardas copper wiring with Kondo wiring available as an upgrade.

"Excellent tonearms from Scotland's audio wizard John Nilsen. This arm has grunt, deep soundstaging, with ebb and flow that will startle you".
David Beetles, Hammertone Audio, Canada
"The PU7 is an awesome arm and every bit as good as, (if not better than - considering cost) the Linn Ekos SE".

Here’s a small selection of some of the custom options available:
Polished anodized finish: +500 euro.
Longer 10”, 11” and 12” arm tubes: +400 euro.
Kondo silver internal arm wiring: +400 euro.
Custom colour as black, blue, red, yellow, green : contact us.

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Audio Origami PU7 Tonearm

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Comments(3)
03/20/2023

Millanteria

John Nielsen (in arte J7) non mai stato un dipendente della Syrinx. Questa è una millanteria utilizzata per trarne un vantaggio reputazionale. Diffidate gente ... diffidate di chi racconta balle a 360°.

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05/17/2021

Un sacco di balle

Le riviste fanno marcketing e vendono pubblicità. La storia vera del braccio Audio Origami è raccontata qui: https://pinkfishmedia.net/forum/threads/how-i-redesigned-the-pu7.255175/

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04/01/2019

Le virtù del medium

Una sorgente analogica, per sua stessa natura, ha bisogno di una più significativa sinergia fra le varie componenti rispetto a una sorgente digitale, anche nel caso più tradizionale di una meccanica di lettura accoppiata a un DAC. L’importanza di un braccio come l’Audio Origami PU7 per conferire al mio sistema analogico, attualmente basato sul giradischi Palmer 2.5 e sulla testina MC Murasakino Sumile (si vedano su questo sito le relative note d’ascolto,) l’equilibrio e la straordinaria stabilità che lo contraddistinguono, è fondamentale.
Gerardo Ventura, patron di Playstereo, l’ha personalmente installato nella mia sala d’ascolto e, complice l’eccellente qualità del progetto, la perfetta regolazione ottenuta non ha avuto bisogno di alcun intervento successivo. Aveva ragione da vendere, Gerardo, mentre mi enunciava le doti di questo braccio: in un primo momento accoppiato con una The Cartridge Man Music Maker MkIII, ha garantito da subito all’eccellente ferro-mobile inglese la neutralità e la “leggerezza” che qualunque fonorivelatore si merita.
Le doti di musicalità e di espressività della testina vengono valorizzate dalla trasparenza del PU7, che si è confermato un medium ottimale e sensibilissimo alle sfumature. Quando ho installato la Murasakino Sumile, ho potuto apprezzare intanto e da subito l’estrema facilità e la precisione delle regolazioni: ottenere l’assetto idoneo al nuovo fonorivelatore è stato davvero un (divertente) gioco da ragazzi. Ma a colpirmi è stata l’intimità del rapporto col braccio scozzese, che si è rivelata assolutamente vincente: l’Audio Origami PU7 è, appunto, il tipo di oggetto che allontana dall’ascoltatore ogni preoccupazione, qualora ne avesse, circa il concetto, tipicamente digitale, di “risoluzione”. La maturità delle voci, la concretezza dei timbri e la precisione dei transienti, senza mai diventare caratteri iper-analitici (e in definitiva artificiali), hanno manifestato il sapore armonioso e l’intrinseca vocazione alla definizione del fraseggio che tipicamente associamo a un sistema analogico di pregio, sposando in un linguaggio musicale completo ed equilibrato gli estremi “tecnici” delle frequenze o della separazione dei canali: l’Audio Origami PU7 è il medium che rende il mio sistema analogico “virtuoso”.

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